Art Rooms

Discover the captivating books of Birgitta de Vos and meet the artist by joining her Nomadic Reading Room session at the Axel Vervoordt Gallery this December.

Working with mud silk is an ancient textile tradition rooted in southern China, where generations of artisans harnessed water, sun, and earth to create fabrics with an otherworldly depth and glow. Today, Marcella Echavarría breathes new life into this heritage with her NOIR Mud Silk collection. In this Art Room you’ll find rare pieces that are more than garments – they are timeless companions, ready to become the treasures of your wardrobe for decades to come.

To celebrate the launch of Pretty Brilliant: Women in the Arts Vol. III, which explores the theme of goddesses, Claudy Jongstra has created a new series of unique felt artworks. These vibrant pieces are crafted from wool sourced from Jongstra’s own herd of Drenthe Heath sheep, combined with silk and merino wool. They feature four distinctive color palettes, ranging from warm amber and gold to rich Burgundian black and deep indigo.

Following our first collection of aprons in collaboration with Lidewij Edelkoort and Sergio Machado, there is now - in celebration of the launch of our new website - a new series of wearable artworks in infectious collage designs.

Marjoke de Heer creates exceptional plates and objects from her own soil in her ceramics studio in Amsterdam-Noord. Especially for readers of See All This, she is launching a limited number of plates in our shop.

Beading is one of the oldest human crafts, passed down through generations of ancestors who embellished objects long before the invention or global trade of glass.

‘Humankind began with fire,’ scientists Susan Magsamen and Ivy Ross wrote in an earlier issue of See All This. ‘Life as we know it came about thanks to lightning. Arcs of electricity six times hotter than the surface of the sun ignited trees and bushes on the African savannah. Early Homo erectus and Homo sapiens captured its magic and took it with them, from place to place... Fire, and with it creative expression, sparked the birth of community.’



Since the beginning of time, fire has held this profound duality — a force both of destruction and creation. It illuminates and energises, yet also consumes and destroys — a reality brought into sharp focus in the past few weeks. The 6th-century BC Greek philosopher Heraclitus of Ephesus recognised fire as more than just a primal element; he saw it as the very essence of existence, the source from which all other elements emerged, and a symbol of life’s perpetual transformation.



In the 1960s, Yves Klein explored this same duality through his groundbreaking fire experiments. In this Art Room, we invite you to discover more about his pioneering Peinture de feu series and offer a special Limited Edition: Peinture de feu sans titre (F124).

thanks to Editions Dilecta, Paris

It’s the summer of Piet Oudolf. Celebrated worldwide for his naturalistic gardens, such as the High Line in New York, Oudolf’s approach to gardening has revolutionized our own relationship to the outdoors. His 100.000 square feet of gardens around the world have opened our eyes to the power of the perennial garden, one which maintains its splendour every season. In this exhibition and the summer issue of See All This Art Magazine (#30), we question what it means to be in nature: what it does for us and how we can fall into its rhythm.

Participating artists: Simon Heijdens, Zora Ottink, Naoko Benom-Miura, Sophie Steengracht en Curcubita Maxima.

The windows have been washed, the parquet floors polished and the walls hung with art: See All This welcomes you into its venue for the Colour Fields exhibition featuring unique works by Claudy Jongstra as well as numerous other artists. Amongst the artworks shown at the exhibition are Jongstra’s monumental Guernica de la Ecologia, her Guernica Studies and Gold Series. Alongside this special edition Art Room, we are launching our vibrant winter issue, a number dedicated to the enchanting effects of colour, to endless colour and flower fields, to our warm feelings towards red, yellow or blue: ‘Suppose I were to begin by saying that I had fallen in love with a colour.’